300 poor students in Hubei received 1.5 million Maotai grants.

Donation (photo by Yang Shuai)

Representatives of the aided students spoke (photo by Yang Shuai)

Group photo of the aided students (photo by Yang Shuai)

  People’s Daily Online, Wuhan, October 1st On September 30th, the awarding ceremony of the "China Maotai, Pillar of the Country" 2019 Hubei Hope Project Dream Action Helping Poverty Alleviation and Public Welfare Program was held in Wuhan University of Science and Technology. The Hubei Youth Foundation received a donation of 1.5 million yuan, which will be used for the study of 300 poor students in Hubei who set up a card.

  At the activity site, Wang Lanqing, a student from Tongshan County, spoke as a representative of the aided students. She thanked the party and the state for their precise poverty alleviation policies, and thanked the Hope Project and caring enterprises for helping poor students realize their dreams, and determined to serve the country and give back to the society.

  Deng Lele, a student from Wuhan University, shared his growth experience as a 2014 Maotai aided student. When he was busy helping children with their homework and saving living expenses, the village posted "‘ China Maotai, the pillar of the country ’ The notice of "Hope Project’s Dream Realization Action" is precisely this valuable scholarship to ease his tuition and difficult life. It is also with the encouragement of this love that after four years of college, he studied hard and studied hard, and was promoted to graduate students with the third place in his major. At the same time, he also actively participated in social voluntary service, passed on love, shared love, and realized personal value in the process.

  According to reports, from 2012 to 2019, Kweichow Moutai Winery (Group) Co., Ltd. continuously donated 800 million yuan to the China Youth Development Foundation to help 162,000 outstanding students from poor families all over the country, covering more than 1,600 counties in 33 provinces and cities across the country, becoming a caring enterprise with the largest donation, the largest number of students and the most extensive influence. Up to now, the student aid activity has been implemented in Hubei for 8 consecutive years, with a total donation of 19.5 million yuan to support 3,900 poor students in Dream University. (Jin Yumeng Huang Luyao)

Promote the trade-in of the old with high standards, and be stable and far-reaching

With the steady improvement of living standards, people are increasingly demanding high-quality durable consumer goods.

The General Secretary of the Supreme Leader stressed: "We must take meeting the people’s growing needs for a better life as the starting point and the end result, constantly transform the development achievements into the quality of life, and constantly enhance the people’s sense of acquisition, happiness and security."

The Action Plan for Promoting Large-scale Equipment Renewal and Trade-in of Consumer Goods issued by the State Council proposes "four major actions: equipment renewal, trade-in of consumer goods, recycling and standard upgrading" and "strengthening the upgrading of product technical standards". The "Action Plan for Promoting Trade-in of Consumer Goods" issued by the Ministry of Commerce and other 14 departments proposes to "increase financial and monetary policy support".

How to adhere to high standards and implement trade-in of consumer goods? How to optimize relevant policies and promote the trade-in of the old for the new? The reporter interviewed relevant departments, enterprises and experts.

Guide by standards and standardize the process requirements of trade-in

"This summer, I plan to change a smart air conditioner at home, which can be controlled remotely. I can receive 500 yuan subsidies by participating in trade-in." Sun Guixiang, a resident of Chaoyang District, Beijing, said.

Key standards such as General Technical Requirements for Smart Household Appliances have promoted the technological transformation of smart household appliance enterprises in the domestic market. In 2023, the penetration rate of smart home appliances in China reached 47%, higher than the global average, among which the penetration rate of smart air conditioners reached 64.3%.

"This large-scale equipment update and consumer goods trade-in action, standards play a basic and leading role." The relevant person in charge of the standard technology management department of the State Administration of Market Supervision said.

At present, there are still some blocking points in the trade-in process of consumer goods. For example, the recycling of waste digital products has data security risks, and consumers are worried about the disclosure of personal information such as photos, address books and bank cards.

Seven departments, including the General Administration of Market Supervision, jointly issued the Action Plan for Upgrading Traction Equipment and Trade-in of Consumer Goods by Standards, which promoted the completion of the preparation and revision of 294 key national standards this year and next, including the Technical Requirements for Information Clearing of Second-hand Electronic Products, providing strong support for equipment updating and trade-in of consumer goods.

Qu Zongfeng, vice president of China Household Electrical Appliances Research Institute, said: "Standards play a key role in quantifying the key indicators of product trade-in, unifying the requirements of trade-in process and standardizing the behavior of trade-in subjects, which is conducive to solving the blocking points in the trade-in process and is also the technical basis for formulating trade-in incentive policies."

On the supply side, standards drive investment in technological transformation.

"The Zhejiang Provincial Market Supervision Bureau is taking the lead in organizing the formulation of the standards for students’ lunch break chairs, which will stipulate the safety performance indicators, quality indicators, recycling, etc. of the relevant lunch break desks and chairs, so that students can sleep and take a lunch break more comfortably and safely." Zhang Kehe, Director of Standardization Department of Zhejiang Market Supervision Bureau, said that after the introduction of standards, it will drive related production enterprises to carry out technological transformation.

By upgrading the standards of technology, energy consumption and emission, we can promote the upgrading of enterprise equipment, technology and technology, eliminate backward production capacity and products, and promote large-scale equipment renewal. The General Administration of Market Supervision will speed up the upgrading of energy consumption emission technical standards, compile and revise 113 relevant national standards, continue to lead the equipment update, and help the proportion of advanced production capacity continue to increase.

On the demand side, standards promote consumption upgrading.

By building a safe bottom line through standards and improving the quality level, we can continuously expand the supply of high-quality products, accelerate the upgrading of traditional consumption, lead the creation of new consumption, and continuously stimulate the potential of domestic demand by upgrading and expanding consumption.

The General Administration of Market Supervision will strengthen the improvement of product quality and safety standards, accelerate the iterative upgrading of standards such as electric vehicles, intelligent networked vehicles and after-sales service of automobiles, and revise 115 relevant national standards to promote the trade-in of consumer goods and meet the needs of people’s better life.

At the recycling end, the standard is smoothly recycled.

In the field of circular economy, filling the short board of standards can guide manufacturers to pay attention to the easy recycling and renewability of products in the design process, standardize product recycling, disassembly and reuse, and open up the blocking point of resource recycling. For example, China has formulated and issued more than 40 design standards for easy recycling and easy recycling of household appliances, as well as standards for recycling, dismantling and reuse, which has played an important role in promoting the green consumption cycle of household appliances. From 2012 to 2022, China has standardized and dismantled more than 700 million refrigerators, air conditioners, washing machines and televisions.

According to the relevant person in charge of the General Administration of Market Supervision, the next step will be to increase the supply of recycling standards, speed up the improvement of recycling, sorting, dismantling and recycling standards for key products, and revise 66 relevant national standards to promote the smooth industrial cycle and help resource utilization form a closed loop.

Policy guarantee, increase financial and tax support

"The new car purchase scheme is really affordable. The old car is converted, plus subsidies from the state and manufacturers and preferential auto finance services. I only need to pay a down payment of more than 4,000 yuan to drive the new car home. The monthly payment for a five-year car loan only needs more than 1,000 yuan, which is really not a big burden. " On May 10th, Mr. Cai, a citizen of Xiamen, Fujian, signed a car purchase contract at the dealer store of SAIC-GM-Wuling.

Since the introduction of the trade-in policy, SAIC-GM Finance has launched a special trade-in financial scheme for different models to fully meet customers’ vehicle replacement needs. From January to May this year, the Wuling channel of SAIC-GM Finance completed more than 10,000 additional purchase and repurchase contracts, up more than 3% year-on-year.

Finance has stepped up efforts to support the trade-in of consumer goods. In September, 2023, the State Financial Supervision and Administration Bureau issued the Notice on Financial Support for Restoring and Expanding Consumption, which increased financial support for the production, service and consumption of green smart home appliances around the aspects of "old-for-new", green smart home appliances going to the countryside and increasing the supply of home appliances. In March this year, the People’s Bank of China and the General Administration of Financial Supervision jointly issued a policy to clarify that financial institutions can independently determine the down payment ratio of passenger car loans and reduce the cost of car purchase for consumers. The General Administration of Financial Supervision is working hard to study measures related to the standardization and upgrading of new energy auto insurance, further optimize the pricing mechanism, and promote the insurance industry to better serve the development of new energy auto industry.

"Banking and insurance financial institutions optimize financial services, increase support for consumption such as automobiles and green smart home appliances, and help residents to upgrade their consumption." The person in charge of the relevant departments of the General Administration of Financial Supervision introduced that it will continue to guide financial institutions to actively support reasonable consumer demand, improve the construction of consumer credit system, enhance the innovation ability of financial products and services, increase support for key areas and new consumption, optimize the consumer financial environment, and provide more high-quality financial services for residents’ consumption.

Urumqi Huizhitong Electronics Co., Ltd. is mainly engaged in the recycling and dismantling of waste electrical and electronic products, and approves the disposal of about 500,000 sets of waste electrical and electronic products every year. Ge Shufang, the company’s financial controller, said: "At present, there are about 200 suppliers who sell used household appliances to the company, and they are basically natural persons at the waste purchase point. Previously, it was time-consuming and laborious to call them one by one to issue invoices after recycling used household appliances every month. Now there is a’ reverse invoicing’ policy, which not only reduces the workload, but also facilitates waste purchasers. "

The Action Plan for Promoting Large-scale Equipment Renewal and Trade-in of Consumer Goods requires "promoting the practice of’ reverse invoicing’ by resource recycling enterprises to sellers of scrapped products from natural persons". On April 25th, State Taxation Administration of The People’s Republic of China issued an announcement to clarify the specific measures and operation methods of "reverse invoicing" for resource recycling enterprises. Enterprises can apply for invoicing qualification only by submitting application forms and qualification certificates, and the procedures are simple and convenient.

In order to support automobile consumption, seven departments, including the Ministry of Commerce and the Ministry of Finance, recently jointly issued the Detailed Rules for the Implementation of Automobile Trade-in Subsidies, clarifying the subsidy standards for automobile trade-in. Consumers can submit application materials and check the progress in real time through the webpage and applet of the car trade-in platform. At present, the first batch of subsidies for car trade-in have been distributed one after another.

Various localities have successively issued relevant rules to support the trade-in of consumer goods. Zhejiang supports the trade-in of green smart home appliances, requiring individual consumers to buy eligible home appliances and enjoy a reduction subsidy of about 10% of the transaction price after all discounts are removed; Tianjin supports home appliance sales enterprises to cooperate with production enterprises and recycling enterprises to carry out trade-in promotion activities; Hunan will build 100 green, intelligent and aging-resistant model rooms in the whole province, and promote the model rooms to enter shopping malls and communities … The old-for-new support policy will gradually come into effect, which will promote the upgrading of residents’ consumption and continuously release their consumption potential.

Coordinate and mobilize the enthusiasm of all parties to form a joint force.

"To promote large-scale equipment renewal and trade-in of consumer goods, we must stimulate the power of the market, mobilize the enthusiasm of production enterprises, e-commerce platforms and industry associations, and form a joint force." Pan Helin, a member of the Expert Committee on Information and Communication Economy of the Ministry of Industry and Information Technology, said.

Promoting the trade-in of consumer goods requires enterprises to provide consumers with good quality and affordable goods. Red Star Macalline Home Furnishing Group recently started the trade-in of household appliances and furniture in many places across the country. Zhu Jiagui, CEO of the Group, said that after the introduction of the policy, the industry standards are clearer and the supporting policies are more perfect, which will help promote the green development of the furniture and household appliances industry.

Qu Zongfeng suggested that after the release of the new standard, enterprises need to increase investment in optimizing management schemes, iterating product types, updating production equipment and eliminating backward production capacity, so as to realize technological innovation and upgrading and maintain their market competitiveness.

Platform enterprises directly connect consumers with the market, which has natural advantages and plays an important role in promoting the trade-in of consumer goods. The Office of the Leading Group for Platform Economy of Zhejiang Province encourages and supports platform enterprises to launch such measures as "trade-in for trade-in", creating a one-stop replacement service link, improving the convenient and efficient replacement experience, and strictly controlling the quality of trade-in products.

Pan Helin believes that compared with traditional offline physical retail, e-commerce is more efficient in docking supply and demand, and the implementation of trade-in through e-commerce channels can be effective faster.

Trade associations should not only be good government assistants, but also good corporate helpers to help household appliances update their consumption cycle from all aspects of production, circulation and recycling. On April 14th, China Household Electrical Appliances Association, china national household electric appliances commercial association, China Household Electrical Appliances Service and Maintenance Association and China Materials Recycling Association jointly issued the initiative of "promoting the replacement of old household appliances and promoting the consumption cycle of renewal".

Qu Zongfeng said: "In those areas where standards are relatively lacking, it is suggested to play the role of scientific research and technology institutions and industry associations, and fill the shortcomings as soon as possible by formulating group standards and other more flexible and efficient ways. It is also necessary to strengthen the promotion of standards, enhance the publicity and implementation of standards, and truly achieve policy acceptance, industry recognition, corporate identity and user awareness. "

The relevant person in charge of the General Administration of Market Supervision said that it will focus on the high-quality development of the industry and the needs of people’s better life, select key standards to speed up the revision work around the key areas of equipment renewal, trade-in of consumer goods and recycling, and form a joint force with the policies of various departments to support large-scale equipment renewal and trade-in of consumer goods. (Reporter Lin Lizhen, Ouyang Jie)

Is the "Bad Tail" in "The Attacking Giant" taking revenge on the society?

Original viewing ideal editorial department viewing ideal.

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The ending of the cartoon is like a great satire on the real world. Just like what we know about reality and human history, it is a world full of hostility, hatred and fear.

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Although the animation is still being updated, on April 9, the original comic book "The Attacking Giant", with a leading plot, ushered in the final words. The ending conceived by the author Lushan Chuang has caused phenomenal controversy.

Some people think that this is a continuation of Lushan Chuang’s consistent "darkness, cruelty and reversal", while others think that this turning point is too blunt. However, the controversy is not only focused on whether the plot trend is "unfinished"; There are more people out of anger, thinking that this is Lushan Chuang’s "deliberately disgusting readers" and "a major malignant event in the history of animation".

Today, starting from the controversial ending of Giant, we not only want to discuss whether it is "unfinished", but also want to see whether this ending is the author’s own way or the necessity under a certain thinking and creative mode. Why are there always so many "unfinished" works? We want to see a good ending. Why is it so difficult?

* This article contains a large number of spoilers of The Attack Giant and Game of Thrones.

01.

Why does Giant make so many people angry?

In this controversy, many people refer to The Aggressive Giant (hereinafter referred to as "Giant") as "Game of Thrones in the animation industry". Interestingly, there are many similarities between the two works in the development form, and even the collapse trend of the ending is strikingly similar.

In the original fire and ice of Game of Thrones (hereinafter referred to as Journey of Thrones), in addition to western fantasy settings, the author george martin introduced a very special POV(Point of View) writing method, and each chapter was described in detail from the perspective of a character.

Therefore, from the POV perspective, no one is the absolute protagonist, and even the "protagonists" can die one after another. This is a story based on the cruel and dark history of the Middle Ages. With the constant "reversal" of the perspective and plot of the characters, the boundaries between the traditional villains and villains become blurred, leaving only the struggle for power.

In The Giant, there is also a similar perspective shift: as the story unfolds, what was originally thought to be just the setting of the world inside and outside the wall, the contradiction between man and giant soon turned to the real setting: the tear between people. The contradiction between the two camps (Malay Empire and Erdia Empire) started from ancient times and continued to the era when the protagonist Allen lived. The giant is the continuation of this curse.

Compared with the feud between medieval aristocrats in Quan You, The Giant is more special in that for us living in the world after the establishment of a modern nation-state, the feud between ethnic groups and the helplessness of individuals at the mercy of fate reflected in it are real enough, political enough, cruel enough and deconstructive enough.

For example, after the protagonist turned into a giant and won the battle, he was not loved by the masses like a hero, but was regarded as a monster, tried and swept through the struggle of political forces. The collapsed house in the giant melee is not just a background board like the superhero movie, and people die innocently every time. Not to mention the decision-making figures in the political center need to abandon human nature from time to time, and one move can affect the joys and sorrows of countless people.

As ordinary people, the protagonists inherited the fate of giants, shouldered the mission, and had to be involved in the torrent of struggle with fate. The constantly emerging truth and doubt broke the bottom line of this group of idealists again and again. People die for the freedom they yearn for, but the cruel fate can’t change the slightest.

The attacking giant

If "Quan You" is a magnificent epic legend, the plot has the color of classical romanticism. Then the Giant is more like a metaphor: ordinary people who are caught in the disputes between modern nation-states and have the übermensch mission in Nietzsche’s conception, even if they become heroes, have no choice but to face the tragedy.

By the time Quan You was filmed in the sixth season, the progress of the series had caught up with the unfinished novel, and as we all know, Martin was a king of procrastination, so the writers could only create the story according to the general direction authorized by Martin. They didn’t have Martin’s profound skill in building characters, and they kept changing the direction of the story because of the possible leakage of the story.

In 2019, "Quan You" entered the final season, but in the last four episodes, it completely collapsed. In the whole process, all the characters forcibly "degraded their intelligence (reduced their intelligence) and ran away", and finally ended up with a unconvincing "constitutional monarchy". Many people believe that if Martin writes the ending of the novel, he can lay out the connection and character changes more reasonably, instead of the hasty ending now.

If the bad ending of Quan You is due to the writer’s lack of pen power, the bad ending of Giant looks even worse. Judging from the previous plot trend and characterization, it is generally believed that Lushan Chuang is capable of making a good ending that may not make everyone exclaim.

However, from the beginning of the 138 words in the cartoon, just like the last few episodes of Quan You, almost all the characters of the leading group took a 180-degree turn, ending the story in the same way of losing their wits and going wild. (I won’t describe the ending in detail here)

The ending of the giant is not anticlimactic like the ordinary "unfinished tail", and it is not only the character ooc (the contradiction between the former and the latter). It can be said that in the first 99% of the plot, Lushan Chuang portrayed a cruel story from the perspective of the growth of the three protagonists (which is also a common perspective in the Japanese), but it was still mixed with the struggle of human nature, the righteous act of kindness, the tragic sacrifice and the reflection on the war.

In the last two sentences, all these disappeared, and the author chose the simplest forced violence to lead to the ending. Whether the so-called balance between the two sides or the resentment of the giants dissipates because the lover can kill the "bad guys" he loves, the solution logic behind it is "killing to stop killing" and "killing for freedom".

People can’t help but wonder, if killing is effective, where did the feud for two thousand years come from? What is the value of all the struggles of this generation in the giant story line? Is it shocking or another bad custom to force deconstruction for deconstruction and reverse for reversal?

In this discussion, some people take Death and Naruto, which are also criticized as "rotten tails", as a comparison. If other "rotten tails" are still traceable, Giant comics maintained a very good level before 137 words, until the last two words, suddenly the plot came to such a big dive.

In the comments at the end, a word used by many people is "I’m desperate to see". In the first 99% of the plot, we are presented with an in-depth story of a young man who breaks the tradition, which makes many readers bring emotion and infinite empathy for the characters (and therefore spend a lot of money). In the last 1% of the time, all the past bedding was overturned, and "killing" people was caught off guard.

After the final words of "Giant" caused an uproar, many people turned over the words of Lushan Chuang in an interview in the past. In the conversation, he said that he could accept the ending of "Quan You" and would not consider the expectations of readers. Like a "crime forecast", it predicted the ending he wanted to create.

Iris published an article called "The Giant", which wrote: "The real bad thing about the finale is that the author undoubtedly knows what the readers want to see and how to satisfy them, but he chose to destroy every bundle accurately. Just as the designer of a building falls into the dark side and decides to install a bomb in his designed building, he will certainly be able to complete the task of bombing the building in the most streamlined and effective way. "

02.

We want to see a happy ending. Why is it so difficult?

In past interviews, Lushan Chuang has repeatedly mentioned the pain of being restricted and insisted on "maintaining creative freedom". On the other hand, we will also feel confused. Why do the long serials we chase often seem to be "unfinished"? Is it so difficult to see a good ending?

This has to mention the Japanese cartoon creation system. The Attacking Giant is serialized in Another Book Junior MAGAZINE, which is a special book of Weekly Junior Magazine, one of Japan’s three major juvenile comic magazines. Japanese teenagers tend to pay attention to "friendship", "hard work" and "victory", and serialized cartoons are not limited by these big frameworks.

Different magazines have different requirements. For example, Weekly Youth JUMP strictly implements the voting mechanism for readers, and those with low popularity may be halved and end in a hurry. The works with high popularity will be asked by the editor to continue serializing. This system does inspire the author, but it also brings other problems.

Generally, when creating cartoons, the general story frame and world outlook are set. If it is extended indefinitely for the sake of popularity, it will violate the basic law of works creation, and there will be more story patterns of the same theme, which will become more and more "routine", and the initial setting will become boring after getting tired of it.

In this kind of partial industrial work creation, it becomes very difficult to end in the place where it should end; Only a few authors take the initiative to ask the ending works to have a good ending, such as You You Bai Shu and Dunk Master. And every time a long work is discussed as "unfinished", "The Alchemist of Steel" will be pulled out for "praise".

A Zhihu netizen summed up the four major performances of "Steel Refining": First, the quality of the whole process remained online; Second, the beginning and the end: the pits are filled in, and the characters have also explained the ending; Third, the logic is strong, and the whole article focuses on the core value: equivalent exchange; Fourth, consistency: the characterization is always logical and reasonable, and there is no big contradiction between the setting before and after.

In fact, this kind of unfinished problem often occurs not only in the spread of the sun, but also in the long serial/broadcast film and television works all over the world A number of American dramas, such as House of Cards, Lost, Prison Break, etc., are all high and low, and there are many kinds of bad endings. No wonder some people joke, if you discuss the bad drama you have seen, everyone can talk endlessly.

In addition to the problems brought about by the production mechanism, there are also some difficulties in the nature of creation. The creation of serial mode itself has a structural dilemma, especially when it is necessary to carry out the story in a brand-new background that is different from ordinary people’s daily life experience.

Of course, this may also be the limitation of the long theme itself. Especially for these "super-expanded" and "high-concept" works, they are more like a large-scale human nature experiment and exploration, which puts characters in extreme environments for thinking and exploration.

In "high-concept" fantasy works, short stories usually impact readers instantly through very specific and extreme scenes, and the ending does not need to be finished as a whole after the big expansion, so the ending of these stories is easier and more interesting, and it can also lead to thinking by leaving blank space, such as Love, Death, Robot, Black Mirror and Mermaid’s Forest.

And long stories usually have to design the lives of the characters and their emotions, in other words, let the characters enter the world life for a long time, and once they imagine life, they can’t get away from the shackles of the existing social structure of human beings, or more and more people see the shadow of real life in the stories. If the long story is more social modeling and "over-expanded", it will be more difficult to give a reasonable ending.

Just like "westworld", which entered a weak stage in the later period, the first three episodes went into chaos in a hurry. How can we expand rich plots around the protagonists under the huge setting beyond the framework of daily life, so that the protagonists can conform to emotional logic and have credible behavioral motives when dealing with various contradictions, and finally solve the pit buried by the setting? This is a great challenge for all creators.

Photo: "westworld", which is what many people once expected for "Giant"

As the story progresses, the creator will always face such a difficult problem: how to set the story and difficult problem under the framework for himself, give a convincing solution, or a reasonable ending. In order to solve these problems, creators must have enough thinking and accumulation on the "bottom logic" of knowledge structures such as history, sociology and psychology, otherwise they will easily fall into a mediocre pattern.

On the other hand, for dramas with narrative tricks, such as westworld, Alien Catastrophe and Attack Giant, works based on surreal settings with suspense, reversal and human nature experiments as their selling points must not only make the basic emotions of the characters acceptable to the audience, but also make the behavioral motives of the characters conform to various logics in the constantly updated storyline, so it is very easy to lose sight of one thing and lose sight of the other.

These "brain-burning" interests are a powerful attraction element for the current audience, and drama creation often falls into such a cycle: readers guess, seek novelty excessively, and leak secrets, which leads to not pursuing convention excessively and being more "over-expanded". In the future, because there are too many story clues, it is actually more difficult to write a reasonable ending.

Today, if a long work is only a simple happy ending, it is obvious that it can’t satisfy today’s audience. And a slightly ambitious creator will try to make some "reversals" that break the routine.

From this point of view, The Giant really continues "darkness, cruelty and reversal", but apart from Lushan Chuang’s possible malicious and blunt reaction, there are still many contents that can be further discussed about the handling method and historical trend behind the giant’s ending.

03.

History may be such a stalemate.

As for the ending of Giant, some people think that it is a manifestation of Lushan Chuang’s hidden militarism or destructive desire; Some people think that this is a deconstructive expression that he simply doesn’t want to solve the fate metaphor of the giant curse he set himself; Others complain that Lushan Chuang lacks real enthusiasm and creative desire to solve historical grievances, and can only respond to camp conflicts with "balance of power/balance of power diplomacy" that has long been proved invalid by history.

We can’t completely restore Lushan Chuang’s motivation for making this decision, or easily define him and The Giant in one or two words. In the huge controversy about the outcome, different people see different angles, and also have various discussions about history, humanity and social form. From this point of view, "Giant" is worthy of its own pit.

Taking Quan You as an example, it is also a fantasy work with some fantasy settings (dragons and ghosts). Finally, it chose to let the monarch who owns dragons die and the ghosts completely perish, and became the ending of human constitutional monarchy which is most in line with the historical trend.

It is really difficult to imagine how a monarch with the power of the dragon can unite various human forces full of cracks and continue to fight against alien ghosts, which is beyond the current social conception of mankind. In the ending of Quan You, the laziest way was adopted, and the influence of all fantasy settings on the ending was deleted by forced death, which also skipped all the possibilities of the entanglement between theocracy and secular regime, and made the story of medieval aristocratic struggle fast forward to the period of "constitutional monarchy", forcibly shrinking all clues and ending abruptly.

Looking at The Giant with the same mode, it also uses the simplest and rudest way to return the story to the historical track without "magic".

Originally, in the thousand-year feud war between two countries, we saw that there was more than a simple confrontation between countries. There are geographical considerations, intertwined economic and resource replacement, not to mention the flirting between power figures; In these complicated situations, the people’s confrontation with the righteous cause and the simple enemy and ourselves is often just a tool instigated by the rulers.

However, after constructing the moral dilemma and social dilemma, the author adopts such a solution: let the protagonist Allen play the tyrant and kill 80% of mankind, and then let others kill Allen, and the resentment will be solved.

At first glance, it looks like a moral paradox experiment like a tram track, but it actually embodies a kind of "balance of power" thinking. Apart from the rigid transformation of the characters in the plot, the practical benefits of this kind of experiment have been proved to be invalid many times in the past history.

"Balance of power" is a concept in international relations. Since the Victorian era, Britain has long implemented the balance of power among countries in the European continent. After the Vienna Peace Treaty in the 19th century, the European continent maintained a balance for about 50 years. Finally, with the strong rise of the German Empire and the weakness of the Austro-Hungarian Empire, it completely failed, and inevitably there were two world wars in the 20th century.

If we use the experience of human history to shine into the story of Giant, the ending of temporary peace is undoubtedly an ironic "hypocritical" peace.

Of course, from another angle, it can also be interpreted as follows: the author Lushan Chuang has no intention of giving a possible solution, he is full of disappointment with human history, and the peace given in the story is bound to be short-lived.

The Giant was once regarded as a serious anti-war theme in its early days, and its final ending "collapse" also symbolizes the difficulties encountered by human existing political thoughts in resolving disputes.

In the 276th issue of Eight Points, Liang Wendao looked at the ending of The Giant in this way: "When the comics progressed all the way, I couldn’t help touching these’ classic’ theme discussions-centralization and freedom, fairness and class, obedience and loyalty, independence, national interests and personal interests, and how should all this end?

Does the maintenance, establishment and balance of the world depend on the guarantee of mutual destruction in the cold war era? In other words, the foundation of peace is a mutual fear?

From this point of view, I think this ending is just right. This ending is very similar to the real world. The whole world has entered a temporary state of compromise. This compromise is not a compromise formed through negotiation, but an ending that is glued through war and delays the final outbreak of contradictions.

In the end, nothing has been solved, and there may be a lot of problems left. We all know that this state will not last long, but isn’t this the road we have taken in human history? "

Head picture: "The Attacking Giant"

Written by Su Xiaoqi and Su Youruo

Original title: "The Attacking Giant" and "Unfinished Tail", is it revenge on society? 》

Read the original text

General Administration of Market Supervision: "the legal person" and "the shareholder" can apply for cancellation online.

  A few days ago, the General Administration of Market Supervision held a press conference to introduce the "Guiding Opinions on Revoking the Company Registration by Using Other People’s Identity Information" (hereinafter referred to as the "Guiding Opinions"). After clarifying the "legal person" and "shareholder", I can conduct remote identity verification on the Internet and submit materials. After 45 days of publicity, no other people raise objections and no lawsuits appear, the market supervision department can directly determine that the impersonation registration is established.

  Since 2014, China has continuously promoted the reform of the commercial system, which has facilitated the investment and entrepreneurship of market players. However, there are also a few lawless elements who fraudulently use other people’s identities to defraud registration. At present, there are 36.154 million registered enterprises in China, and the number of reports received by market supervision departments at all levels for fraudulent use of other people’s ID card information for registration is about 29,000, accounting for 0.08%.

  This kind of illegal behavior has brought great trouble to the parties concerned and caused negative social impact. We must crack down severely, increase the illegal cost and disciplinary punishment for dishonesty, so as to nip in the bud.

  Since 2016, the General Administration of Market Supervision has vigorously promoted the electronic registration of enterprises. Combined with the actual situation, various localities have basically established online identity verification and electronic signature mechanisms by purchasing services, which has prevented the problem of fraudulent use of identity and false registration to a certain extent.

  In order to improve the real-name verification method for offline enterprise registration, from 2018, the General Administration of Market Supervision promoted the construction of the "National Real-name Verification System for Enterprise Registration Identity Information" based on the unified identity authentication system of the national government service platform, which was officially put into operation on March 1, 2019. At present, nearly 4 million users in China have registered the "Enterprise Registration Related Natural Person Authentication APP", and the normal pass rate of face recognition is about 98%, which has played an important role in curbing fake registration.

  Chang Yu, director of the Credit Supervision Department of the General Administration of Market Supervision, said that the Guiding Opinions minimized the reporting threshold in view of the difficulties, materials and high costs of complaints after the "legal person" and "shareholder" were generally reflected by the masses. For example, if I can’t be present in person, I can conduct remote identity verification online to avoid running back and forth; It is not required to provide handwriting identification materials, which greatly saves the cost of reporting. The fraudulent person only needs to verify his identity, make a simple registration and submit a copy of the existing ID card to complete the process of reflecting the situation.

  Chang Yu said that a national database of persons responsible for false registration will be established, and the persons directly responsible will be entered into the database. As long as these people register with the market supervision department again, the market supervision department will strictly examine them, increase their illegal costs, and cooperate with relevant departments to implement joint credit punishment.

  The market supervision department will strengthen coordination and cooperation with public security, taxation and other relevant government departments and judicial organs to jointly crack down on illegal and criminal acts of fraudulently using other people’s identity documents.

Drunk! "Fragments of the Dangerous Road to Treasure" Ge You Yun-peng Yue Market Racing.

1905 movie network news A comedy blockbuster starring Ge You, Yun-peng Yue and Du Chun, and co-starring Charlene Choi, Bao Beier, Xiao Shenyang, Michael Chen, Pan Binlong, Rayza, Sun Yue and Lu Xing will be released on December 29th. Recently, the film released a set of themed stills entitled "Good Brothers", revealing the character characteristics and personalities played by the three leading actors Ge You, Yun-peng Yue and Du Chun in the film, showing the deep friendship between the three brothers who won the "treasure" and suggesting that they are about to embark on a "surprise" adventure after getting drunk.


Yun-peng Yue tried his best to make a water play. Du Chun became the first producer to subvert the image.

The film "Lost Treasure in a Dangerous Way" tells the story that Uncle Ya (Ge You), a fisherman, A Le (Yun-peng Yue), and Daimeng (Du Chun) of the Aquarium mistakenly sell the star dolphin "Baby" of the Aquarium to foreign countries after a drunkenness. In order to find the baby dolphin, the three of them have to embark on a wonderful adventure.

For many years, Ge You has been playing all kinds of little people’s images on the big screen. This time, he returned to the stage of the New Year film after two years, and played an uncle selling fish in the film, with one move and one style. It is his approachable and life-oriented performances that have given these little characters vivid and vivid "excellent" comedy characteristics for many years, and they are well-deserved "the first person to celebrate the New Year". As the eldest brother of the "Fragment Trio", Uncle Ge is both the backbone and an unexpected reversal. Especially in a stills exposed this time, Ge You is riding a tricycle carrying fish and looks like he is running away. Yun-peng Yue and Du Chun try to stop him in a hurry, and the relationship is very subtle.

As a popular comedy hero on the big screen in recent years, Yun-peng Yue admits that he is absolutely glad you came in this film. Whether in or out of the play, Ge You benefited him a lot: "Uncle Ge’s seriousness about the role and his control over the characters let me know what a real old play bone is." This time, Yun-peng Yue plays a dolphin trainer, who has a lot of intimate scenes with dolphins in the water, but he is not very good at water. In order to present the best effect, we have to do our best to cooperate with our colleagues in Diaoweiya, and we have suffered a lot by repeatedly going out into the water.

Du Chun, who has just performed well in I am an Actor, has another identity besides being one of the three leading roles, that is, one of the producers and project sponsors of this film. Starting from the point of "fragment" after drinking, he came up with this story that is very suitable for the life of young people and particularly embarrassing. At first, he was very worried about whether Grandpa Ge could accept it. To his surprise, after receiving the script, Ge You quickly liked and accepted the project. In order to subvert the image of "tough guy" in the past, Du Chun started from the image, covered his tough facial edges with a curly hair, and endowed the character with the image characteristics of being a cute doormat.


The broken trio "grabbed the baby" brothers deeply turned over the film, and the fans said that they had new expectations at the end of the year.

Once released last week, the preview and poster of "Drunk Big Edition" aroused great expectations of the audience on all major platforms. "I didn’t expect to see the collocation of Uncle Ge and Little PINKRAY  in my lifetime." Some viewers also said that "I like this theme, and I feel that I have never seen Uncle Ge play such a role before. Coupled with PINKRAY ‘s signature expression and Du Chun’s high face value, this combination is amazing." At the same time, I also have a clear understanding of the comedy positioning of the film. "Comedy is a big coffee. … Comedy makes you laugh is a good film! " People are full of expectations for its performance in the 2019 Lunar New Year!

No matter in or out of the play, Ge You, Yun-peng Yue and Du Chun, the "broken trio", all showed super concentration and serious performance attitude, which is an excellent interpretation of brothers’ affection. It is reported that the three of them will encounter all kinds of strange things along the way, face many crises, and even face the human challenge of "brothers or banknotes". Exactly where the three will go, we have to find the answer from the movie.


The movie "Lost Treasure by Dangerous Road" will be turned over on December 29th, and will land in major theaters all over the country.


Red warning signal Flight 200, the earliest rainstorm in 13 years, was affected.

  Guangzhou Daily News (all-media reporter Yekas) "The sky is leaking!" Since the early hours of yesterday morning, heavy rain has been spilled in Yangcheng one after another. At 10: 15 am yesterday, a rainstorm red warning signal was released in Conghua District of Guangzhou, which was the first rainstorm red warning signal released in Guangzhou this year. The reporter learned from the Guangzhou Meteorological Observatory that this is also the earliest rainstorm red warning signal in Guangzhou since the implementation of the Regulations on Issuing Early Warning Signals of Sudden Meteorological Disasters in Guangdong Province in 2006.

  Influenced by strong thunderstorm clouds, from the night of 18th, heavy rain, heavy rain and short-term gale occurred in central and northern Guangzhou, and the influence of wind and rain gradually expanded. Yesterday, there were strong thunderstorms in most parts of Guangzhou from 3: 00 to 6: 00 and from 8: 00 to 15: 00, with accumulated rainfall ranging from heavy rain to heavy rain, accompanied by strong lightning and gusts of 8-10.

  During this process, all districts in the city issued warning signals of rainstorm and thunderstorm and gale, among which the rainstorm warning signals in Huadu, Zengcheng and Conghua districts were upgraded to red at the highest level, while those in Baiyun, Huangpu, Liwan, Tianhe, Yuexiu and Panyu districts were upgraded to orange at the highest level. Except Panyu and Nansha District, all other districts issued orange warning signals of thunderstorm and gale at the highest level. Except Panyu, Nansha and Haizhu District, all other districts have issued hail orange warning signals.

  Emergency headquarters, the city’s meteorological disaster, launched the emergency response of Guangzhou meteorological disaster (rainstorm) level II and meteorological disaster (thunderstorm and gale) level III. As of around 15: 00 yesterday, the rainstorm in Conghua and Zengcheng districts in Guangzhou was red, the rainstorm in Baiyun, Huangpu and Panyu districts was orange, the thunderstorm and gale in Huangpu, Yuexiu, Tianhe, Liwan, Haizhu and Nansha districts in yellow rainstorm warning signal and Zengcheng district were orange, the thunderstorm and gale warning signals in Conghua, Huadu, Huangpu, Yuexiu, Tianhe, Liwan, Haizhu and Panyu districts were yellow, and the hail warning signals in Conghua and Zengcheng districts were orange.

  The reporter learned from the Guangzhou Meteorological Bureau that the "Regulations on Meteorological Disaster Prevention in Guangzhou" was officially implemented on April 1 this year, which stipulates that classes will be suspended in the morning when the rainstorm red warning signal in the region takes effect from 6: 00 to 8: 00; When the rainstorm red warning signal in the region takes effect from 11: 00 to 13: 00, classes will be suspended in the afternoon. If classes are suspended in accordance with the provisions of the preceding paragraph, students will stop attending school; Students who are already on their way to and from school should take refuge in a safe place nearby. Schools should open school buildings to ensure the safety of students at school and on school buses.

  Guangzhou Daily News (all-media reporter Li Yan correspondent Airport Xuan, Nan Xuan) Affected by the strong thunderstorm weather, Baiyun Airport launched the yellow warning of the first large-scale flight delay this year at 13:14 on April 19. At 16:10, the warning level was reduced to blue. By 17: 00, there were 70 departure flights delayed by more than one hour, 106 departure flights were cancelled, 92 arrival flights were cancelled, and 23 foreign flights were reserved. Baiyun Airport made every effort to ensure the follow-up, and the order in the terminal was stable.

  On April 19th, Baiyun Airport planned 694 outbound flights and 682 inbound flights, totaling 1,376 flights. Affected by the strong thunderstorm, the blue warning of large-scale flight delay was started at 10:36, and 58 flights were delayed for more than one hour. At 13:14, 83 flights were delayed for more than one hour, and the emergency response level of large-scale flight delay was upgraded to yellow. Flights to East China, Beijing and Chongqing are obviously controlled by traffic.

  In view of the large-scale flight delay, Baiyun Airport launched a flight coordination mechanism to coordinate airlines to reduce flights and adjust capacity in time. By 17: 00, Baiyun Airport had arranged 17 meals and 15 hotel accommodations.

  According to the emergency stop requirements of Guangzhou Traffic Management Station, Baiyun Airport Airport Express Line suspended the operation of urban and long-distance passenger lines at 12 noon on April 19. All drivers and passengers strictly observe their posts and stand by on the spot. When the rain weakened and the road traffic conditions improved, the operation was fully resumed at 13: 40.

  Airport Express is also doing a good job in Baiyun Airport — Service guarantee of Pazhou Canton Fair special line. Yesterday was the last day of the first phase of the 125th Canton Fair, and there was a peak of returning merchants in Pazhou. Airport Express and Airport Express will earnestly ensure the return passenger flow, and the shuttle bus will start rolling and leave when the passengers are full.

  At 16:10, with the improvement of weather conditions, the number of departure flights delayed by more than one hour at Baiyun Airport dropped to 78, and the emergency response level of large-scale flight delays dropped to blue.

  According to the latest meteorological information, the next weather will still be dominated by showers. Baiyun Airport reminds passengers to pay attention to the weather changes when going out. You can check the flight dynamics through the airlines you take or Baiyun Airport service hotline 020-96158, Airport Link, WeChat, Weibo and APP.

Don’t believe these three battery charging rumors: batteries are actually very resistant to manufacturing.

Large-capacity battery and fast charging have always been two characteristics pursued by players. There are also many skills about charging on the Internet. For non-flagship phones, these skills don’t really need much attention. However, it is still necessary to solve some common misunderstandings for expensive and folding screen mobile phones.

Mobile phones can’t be recharged frequently: the battery of mobile phones can be recycled 800 times, so it’s not so easy to break down.

Many people know that the battery life of a mobile phone or laptop is about 800 cycles, but they don’t know what this life means. They mistakenly believe that each charge will consume a lifetime, so they think that they can’t charge frequently. In fact, this concept is incorrect. Cycle life refers to a cycle when the total amount of battery discharge reaches the rated capacity. For example, if the battery is discharged by 10%, 30%, 40% and 20% respectively, only when the total amount of these four discharges reaches the rated capacity can it be counted as consuming a cycle life. Therefore, the mobile phone can be charged anytime and anywhere, without worrying about the loss of battery life.

In addition, after the life of the battery reaches 800 cycles, it does not mean that the battery will be completely damaged, but after that, it can provide 80% of the designed capacity. This just shows that its durability has declined.

IPhone does not need fast charging because fast charging damages the battery: it has an impact but it is not serious.

Another common misunderstanding is that fast charging will damage the battery, because fast charging is faster and may consume the battery life faster. indeedHigh temperature and increased voltage will accelerate the aging speed of the battery. The fast charging of the mobile phone is mainly realized by increasing the voltage or current, which will inevitably increase the loss of the battery.

However, there is no need to worry. Fast charging is not the chief culprit of battery damage. Anyone who has used fast charging knows that when charging fast, the mobile phone will heat up. High temperature will affect the activity of lithium ion inside the battery, thus affecting the life of the mobile phone battery. Therefore, the main reason for the decrease of battery life of mobile phones is high temperature, not fast charging.

As long as the heating problem is properly controlled, there is no need to worry that fast charging will damage the battery. And now with the continuous maturity of technology, many brands have done charging protection for fast charging to ensure that it will not affect the battery within two or three years. According to my own experience, even with fast charge, the battery life can still reach more than 80% after two or three years.

The battery breaks down quickly when the mobile phone is charging: it has no effect at all.

Many people have heard that mobile phones can’t be charged while playing, because both charging and discharging will damage the battery. However, this view is unscientific.Charging and using the mobile phone at the same time has no effect on the health of the battery. In fact, on the contrary, charging and using the mobile phone at the same time is also beneficial to the life of the mobile phone battery. The life of mobile phone battery mainly depends on the number of times of charging and discharging.When the mobile phone is charging, the power chip will directly supply power to the motherboard and control the stored energy of the battery. When the battery is fully charged, the mobile phone will get power directly from the motherboard when it is used, bypassing the power supply of the battery. Therefore, even if the battery is removed, there will be no problem, and the battery will have a short rest, reducing the number and frequency of discharge. The mobile phone motherboard is also equipped with a power control chip.

Choose fast-charging and large-capacity mobile phones instead of caring about batteries;

The use of the battery must be lossy, but as far as the current technology is concerned, whether it is fast charging or slow charging, basically the mobile phone battery can be used in a better state for 2-3 years. Therefore, instead of worrying about battery loss, it is really better to change a battery with a larger capacity, or choose a fast charge of more than 100W, a larger capacity and a faster speed, which can make up for the poor experience caused by battery loss.

High-capacity fast charging mobile phone recommended:

6000 mAh battery:

200W fast charging mobile phone recommended:

120W fast charging mobile phone recommended:


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Large-capacity battery and fast charging have always been two characteristics pursued by mobile phone players. There are also many skills about charging on the Internet. For non-flagship phones, these skills don’t really need much attention. However, for expensive iPhone and folding screen phones, it is still necessary to solve some common misunderstandings. Mobile phone can’t be recharged frequently: can the battery of mobile phone be cycled 800 times? …

Learning season | "Network security for the people, network security depends on the people"

  Network security has an impact on national security. General Secretary of the Supreme Leader attaches great importance to network security, embarks from the international and domestic general trend, raises the flag to orient and steer the ship, and makes a series of profound expositions, pointing out the direction for safeguarding national network security and building a strong network security defense line.

  The 2023 National Cyber Security Publicity Week will be held from September 11th to 17th. Let’s study the important exposition of the Supreme Leader General Secretary on network security together, and make efforts to jointly strengthen the construction of network security guarantee system.

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

Learning season | "Network security for the people, network security depends on the people"

  Coordinator: lin li Liu Jingyu

  Planning: Yang Ge, Chen Xiaoyun and Ni Shixuan

  Design: Wang Wanying

  Dynamic effect: Li Jiangrui

  Proofreading: Chen Xuede

chinese film box office

  3. Four famous directors’ new films confront each other head-on.

  For this reason, the box office of mainland movies in 2014 is highly anticipated, and many fans hope to break through the 30 billion mark. However, judging from the films released by major companies at present, 2014 is indeed a "big year" for the mainland film market.

  In terms of Chinese films, many new works by great directors will be shown in a concentrated way, including Zhang Yimou’s Return, John Woo’s Taiping Wheel, Jiang Wen’s One Step Away, and Chen Kaige’s Taoist Down the Mountain.

  From the topical point of view, the movie version of Where’s Dad Going and Tiny Times 3 will both be eye-catching. In addition, Xú Zhēng, who once created a box office miracle with "Lost in Thailand", will also release his new work "Lost in Hong Kong" in 2014. Huayi revealed that the new film projects in 2014 include Manhattan, Paradise in the Army, Literary Love in the Wechat Era, mr. six, Old Society, Pleasant Goat and Big Big Big Wolf 6, etc.

  In terms of imported films, the highly anticipated Transformers 4 will be released in June 2014. Disney recently released a schedule, and in 2014, Need for Speed, Captain America 2, Guardians of the Galaxy, Sleeping Curse and Magic Black Forest will be released. If these films can be successfully released in time in the mainland, it is estimated that there will be a whirlwind at the box office.

Aesthetic exploration of four Kunqu operas, such as the new edition of the Jade Hairpin: blending the classical with the modern.

  On April 4th, a new version of Kunqu Opera "Bailuo Shirt", which was co-produced by Suzhou Kunqu Theatre and Bai Xianyong, was staged at Shanghai Oriental Art Center. The play was once again written by Zhang Shuxiang, the screenwriter of the youth version of Peony Pavilion, and directed by Yue Meiti, the first female student of Kunqu Opera. This tragic work is another attempt by Bai Xianyong to attract contemporary audiences with the new aesthetics of Kunqu Opera.

  Since the rehearsal of the youth version of the Kunqu Opera Peony Pavilion in 2002, Suzhou Kunqu Opera Theatre has cooperated with Bai Xianyong for four times in 17 years, and produced new versions of the Jade Badge, Bailuo Shirt and Chivalrous Man, except the youth version of the Peony Pavilion. The new performance of the old opera has integrated the exploration of the new aesthetics of Kunqu opera by contemporary Kunqu artists and cultural scholars, which not only gives the audience the ultimate aesthetic enjoyment, but also leads to in-depth thinking and discussion on human nature because of the characters in the play.

  Adapting the script from the perspective of human nature to convey truth and goodness.

  Where is the new version of Kunqu Opera? The new edition of Bailuo Shirt first explores the theme and the ideological excavation of characters. The original "Bailuo Shirt" is a simple public security drama, which tells that Su Yun and his wife hired a boat to take office in the Qing Dynasty, but they were victimized by the ship owner Xu Neng in the middle, and their husband was pushed into the river, and his wife escaped from being rescued and gave birth to a son, which was unintentionally picked up by Xu Neng. He was brought up with great care and named Xu Jizu. Eighteen years later, he made a tour of the Eight Houses, and happened to meet Su Yun’s grievance. Xu Jizu killed his adoptive father to avenge his death and had a happy reunion with his biological mother.

  After repeated discussions between Zhang Shuxiang and the creative staff, the original ending is formulaic, binary opposition between good and evil, simple thinking and flat characterization, which can not meet the high expectations and demands of modern audiences for emotion, mind and aesthetics. The crew finally decided to adapt the original work and set the theme in father and son, fate, humanity, redemption, affection and beauty. The last film "Trial in Court" became the climax of the whole drama. At this time, the truth has been revealed, and both father and son have fallen into the trap of fate and struggled painfully. In any case, Xu Jizu can’t be inhuman, and suddenly he will kill his adoptive father who loves him and loves him according to the law. Under the impact of emotion and responsibility, his heart shakes and tears. Xu Neng, whose beautiful image disappeared in front of his son, did not dare to expect his son to forgive him. In the emotional entanglement of fear and disillusionment, he chose to commit suicide in order to fulfill and protect his son, showing the warm side of human nature and realizing self-redemption. The whole play came to an abrupt end here, and the tragic emotion reached the highest point.

  The tension of tragedy is seldom used in traditional Chinese drama, so the new version of Bailuo Shirt has brought great shock to the audience. Starring Yu Jiulin, Xu Jizu’s inner contradictions and emotional struggles are vividly presented, which makes the audience struggle with the protagonist’s fate. In addition to watching the stage and the beauty of music and singing, it also shows the complexity and diversity of the characters’ personalities, which has triggered contemporary people’s in-depth thinking about human nature.

  Through the portrayal of the character Xu Jizu in the new edition of Bailuo Shirt, Yu Jiulin also completed the leap from a towel student to an official student in performance. "Liu Mengmei in the youth edition of Peony Pavilion is a towel student, paying attention to charming, bookish and a little stupid. Xu Jizu in the new version of "Bailuo Shirt" is an official student, with higher requirements for singing, wider range and more connotation in shaping characters. " Yu Yulin told reporters.

  The purpose of adaptation is to better interpret and inherit the classic plays in the contemporary era. The new edition of "The Heroes of Justice" is based on the version of Teacher Liang Guyin in the 1970s, with slight changes. The original version features Wu Song, while the new edition features Pan Jinlian. Through this play, Lv Jia, an actor of Suzhou Kunju Theatre, has well inherited the essence of Liang Guyin’s performance, and added his own understanding and expression of the characters, giving Pan Jinlian a new color from the perspective of human nature.

  After careful polishing, including the above four new versions of Kunqu Opera, Suzhou Kunqu Opera Theatre has put 14 major plays on the stage, including The Palace of Eternal Life, Xi Shi, The Story of the White Rabbit and The Broken Mountain.

  Blending the new aesthetics of Kunqu Opera into the classical program to meet the modern aesthetic needs.

  "The aesthetic feature of Kunqu Opera is that it is poetic, exquisite and elegant in freehand brushwork, which is reflected by different trades and characterization and has already formed an inherent cognition." Cai Shaohua, director of Suzhou Kunqu Opera Theatre in Jiangsu Province, told reporters how to integrate new concepts into the traditional Kunqu aesthetics and make Kunqu more poetic and elegant. Since the youth edition of Peony Pavilion, Bai Xianyong and the creative team have explored it. In Peony Pavilion, male and female flower gods are made to fall from the sky like fairies in cloaks embroidered with gorgeous flowers such as begonia, orchids and chrysanthemums, which makes the fairy scene in the story of dreams and feelings beautiful. The concept of new aesthetics of Kunqu opera was really put forward from the new edition of the Jade Hairpin.

  If The Peony Pavilion is an epic, The Jade Hairpin is a sketch. However, there is a "Qin Tiao" in "Jade Hairpin", which is about the protagonists Chen Miaochang and Pan Bizheng playing the piano to convey their love for each other. There is also a poem Stealing, in which Chen Miao often expresses his love for Pan Bizheng with poems. There are violins and poems, which convey feelings with violins and meanings with poems. Therefore, Bai Xianyong believes that the play "The Tale of the Jade Hairpin" has great potential to embody the extreme elegance of Kunqu Opera and realize the characteristics of abstraction, freehand brushwork, lyricism and poeticization which are very compatible with the basic aesthetics of China culture.

  Compared with the youth version of The Peony Pavilion, the new version of The Jade Hairpin has taken a step towards simplicity and freehand brushwork, interweaving poetry, calligraphy and piano on the same stage, and pushing the aesthetics of Kunqu Opera to a higher level of lyric poetry. In the play, Dong Yangzi’s calligraphy and Xi Song’s painting art create a world of ink and wash on the stage. Tong Wang, the artistic director, reduced the color of her costume design by one degree, which made it more elegant and exquisite. In the play, the audience can also enjoy the live performance of Li Xiangting, a guqin master, of the Tang Dynasty royal guqin "Nine-Xiao Huanpei", which is the first joint performance of the oral and intangible cultural heritages of the two worlds.

  Following the idea of presenting the beauty of the dance in the Jade Hairpin, the protagonist Xu Jizu, as a third-rate official of the imperial court, should wear a big red official uniform according to the convention in the Bailuo Shirt staged in 2016. However, in the new version of Bailuo Shirt, the color of the official uniform is mainly gold and white, which is outstanding and elegant. The chivalrous man, which premiered in 2018, boldly used China’s paper-cut art as the basic expression vocabulary of the stage background and the beauty of the dance. In addition, the costumes became more refined and incorporated the moral expression of the protagonist’s inner character.

  How to integrate the classical aesthetics of Kunqu opera with the aesthetic consciousness of the 21st century is the biggest challenge for contemporary Kunqu opera production. The principle of the four new versions of Kunqu Opera is to respect the classics but not follow them step by step, and to make use of the modern without "abusing the modern". "We all abide by the traditional singing, reading and doing of Kunqu opera, and modern elements such as lighting and dancing are integrated into the classical framework in an unobtrusive way, making the whole play both classical and modern." Bai Xianyong said.

  Judging from the audience’s reaction, they recognized the exploration of the new version of Kunqu Opera, and thought that this innovation made the interpretation space freehand and smooth, and made Kunqu Opera "more lyrical, more beautiful and more enjoyable". "In fact, modern audiences not only regard Kunqu opera as a serious performing art, but also regard Kunqu opera as a representative of oriental aesthetics and as a life aesthetics, and integrate it into their daily lives. In this direction, there will be more and more fans of Kunqu Opera. " Cai Shaohua believes.

  From the script to the actor and then to the audience, the inheritance ecology is formed.

  Walking into the garden-like architecture of Suzhou Kunqu Opera Theatre, Zhang Jiqing is teaching Liu Yu the passbook drama "Broken Mountain". Suzhou Kunqu Opera Theatre has been established for 60 years, from word generation to succession, inheritance, publicity and promotion, and has now spread to the sixth generation of vibrating characters. There are more than 20 young actors in Zhenzi generation, who are old, young, ugly and colorful. Twenty-seven-year-old Liu Yu is one of the vibration generation. She is a "kowtowing disciple" of Zhang Jiqing. She has been studying with Zhang Jiqing for seven years. This year, Zhang Jiqing is going to teach her the complete version of "Rotten Keshan". After experience, Liu Yu has been able to take the lead in the drama independently. The youth version of Peony Pavilion won three books in nine hours, and participated in the performance of the National Grand Theatre on behalf of Jiangsu Province as the starring role of The Legend of the White Snake, and won the outstanding performance award of Jiangsu Bauhinia Wenhua twice.

  The inheritance of Kunqu Opera is a cycle every fifteen years, and the fault will bring immeasurable losses to Kunqu Opera. Suzhou Kunqu Opera Theatre insists on promoting people with drama and leading teams with drama, forming a benign echelon structure. It is stipulated in the academy that every actor must learn a passbook drama every year, and national first-class actors must teach young actors at least one passbook drama every year. If a play is included in the inheritance plan of the theater, a crew will be formed for the overall inheritance. Every year, at least 12 passbook plays in Su Kun are passed down as a whole and put on the stage.

  According to written records, there are more than 2,000 folds of Kunqu opera texts, mainly legends of Ming and Qing Dynasties, and about 450 folds can be performed. Suzhou Kunqu Theatre has been rescuing and protecting traditional opera in recent years. At present, about 200 percent of it can be put on the stage. Yu Jiulin, Shen Fengying, Zhou Xuefeng and other "Plum Blossom Award" winners are the "pillars" of Suzhou Kunqu Theatre at present, and they are responsible for the performance of big plays and the teaching of young actors.

  From the script to the actors and then to the audience, Kunqu opera has formed a systematic inheritance in these years. The youth version of Peony Pavilion undoubtedly established the position of Kunqu Opera in the minds of the younger generation. In the past 15 years, the Youth Edition of Peony Pavilion has performed a total of 342 performances, with an audience of 800,000 people, 72% of whom are young, and 25% of them have entered the campus. They have successively entered more than 30 famous schools at home and abroad, which has reduced the age level of Kunqu opera audiences by 30 years, which has won more audiences for the new editions of Yu Pin Ji, Bai Luo Shirt and Yi Xia Ji. Before each performance, the organizer will try to arrange guided tours, with famous cultural scholars giving keynote lectures and leading actors demonstrating performances, so as to deepen the audience’s understanding and appreciation of the play.

  Over the past decade, nearly 20 universities at home and abroad, such as Peking University, Hongkong University and Berkeley University, have offered Kunqu courses or set up Kunqu credits. Bai Xianyong and Suzhou Kunqu Opera Theatre insisted on promoting Kunqu Opera in colleges and universities, and the 11th Oriental Famous Drama Month was held in Shanghai on March 8th — — At the media meeting of the Kunqu Opera Bai Luo Shan and Yi Xia Ji in Suzhou Kunqu Opera Theatre, representatives from Tongji University and other universities accepted the tickets presented by the organizers for the new edition of Bai Luo Shan and Yi Xia Ji, which planted the seeds of hope for the popularization of Kunqu Opera.

  Suzhou Kunqu Theatre, located on Jiaochang Road in the ancient city, is regarded as the most beautiful theater by the public. In the open experience space, three performance forms are designed: theater version, hall version and garden live version. "On the basis of adhering to the essence of inheritance, we plan to make the Kunqu Opera Life Aesthetics Experience Park, and express the oriental aesthetics through the combination of drama and space. This can be understood as a kind of performance art, so that more people can find relevant interests through experience, so that Kunqu Opera can be deeply embedded in people’s daily lives and realize the live transmission of Kunqu Opera in the audience." Cai Shaohua said.

  (Reporter Su Yan)